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Essays on the Stage - Preface to the Campaigners (1689) and Preface to the Translation of Bossuet's Maxims and Reflections on Plays (1699) by Thomas D'Urfey
page 27 of 76 (35%)
terrifying and horrible to him, it would certainly be so in one place as
well as another. No, no, these are only flights and amusements, tricks
of his own studied Legerdemain, to make the bubbled ignorants believe
him a Saint, and admire his Divinity, when, if they could dive to the
bottom of the secret, 'tis solemnly believ'd by many of the dutiful Sons
of the Church, that our Sham-reformer is a much fitter man to win Money
by his skill at a game of Whisk and Swabbers, than as the case of
Allegiance, and Morality, stand with him, to win Souls from Reprobation
by the Integrity of his Principles.

I must treat ye with one instance more of his _Hypocrisie_, and then I
pass on to another Head. This instance I find Mr _Vanbrook_ has taken
particular notice of at the latter end of his Book, where, 'tis true,
every one may see the _Absolvers_ Foible is very plain, but that Author
has not made the Case parallel with the others Remark upon _Mr.
Congreve_'s Comedy the _Old Batchelor_, which shews his contradiction of
himself, and his fallacy undeniable, for there he seems to roar at young
_Belmour_ for his forgetfulness of Religion, at a minute when he is
desiring _Letitia to give him leave to swear by her Lips and Eyes_, when
he is kissing and telling her, _Eternity was in that moment_. [Footnote:
Collier, p. 63.] In short, when he has got her fast in his Arms, and
intends to go through stitch with the matter; for which he calls the
Lady Strumpet, and raves at the smuttiness of the Action; and yet, a
little while after, in another page, rallies, jokes upon, and banters
young _Worthy_ in the _Relapse_, for letting his Lady slip through his
fingers, and calls him a _Town-Spark_, and a _Platonick Fool_ for't.
[Footnote: Collier, p. 127.] Hey Jingo, here's Riddling for ye! what
would this whimsical Gentleman be at? first he rails at a Lover for
holding a pretty Woman fast, and then he jokes upon him for letting
her go; this runs almost parallel with the Fable of the Satyr and the
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