Essays on the Stage - Preface to the Campaigners (1689) and Preface to the Translation of Bossuet's Maxims and Reflections on Plays (1699) by Thomas D'Urfey
page 63 of 76 (82%)
page 63 of 76 (82%)
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any more. Prejudice and Passion, Vainglory and Profit, not Reason, and
Virtue, and the Common Good, seem but too plainly, to support this Practice, and the Defence of it, as the matter is at present managed among us. And a Person of _Mr. M's_ Parts and Attainments cannot be at a loss, for much nobler subjects to employ them upon. A Popular one perhaps it may be, but sure a wilder Suggestion, never was offered to men of Common sense, than, that _if the Stage be damned_, the _Art used_ by _Moses, and David, and Solomon, must be no more_. [Footnote: _See Mr. D's. verses before Beauty, in Distress._] Are we fallen into an Age so incapable of of distinguishing, that there should be no visible difference left between, the Excellencies and the Abuse of any Art? No. _Mr: Dryden_ himself hath taught us better. We will have all due regard for the Author of _Absalom_ and _Achitophel_, and several other pieces of just renown, and should admire him for a rich Vein of Poetry, though he had never written a Play in his whole Life. Nor shall we think our selves obliged to burn the Translation of _Virgil_ by vertue of that sentence, which seems here to be pronounced upon that of the Fourth Book of _Lucretius_. The World, I Suppose, are not all agreed, that then is but _One_ Sort of Poetry, and as far from allowing, that the _Dramatick_, is that One. They who write after those_ Divine, Patterns of Moses &c_: will be no whit the less Poets, though there were not a Theatre left upon the Face of the Earth; Their Honours will be more deserved, Their Laurells more verdant and lasting, when blemished with none of those Reproaches from Others, or their own breasts, which are due to the Corrupters of Mankind, And such are all They, who soften men's abhorrence of Vice, and cherish their dangerous Passions. To tell us then, that All, even Divine, Poetry must be silenced and for ever lost, when the Play-houses are once shut up, is to impose too grossely upon our Understandings. And their Sophistry bears hard, methinks, upon |
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