A Treatise on Simple Counterpoint in Forty Lessons by Friedrich J. Lehmann
page 25 of 65 (38%)
page 25 of 65 (38%)
![]() | ![]() |
|
Write one eight-measure phrase, mixing the first and third species. [Fig.
58.] Write two eight-measure phrases, using third species in both parts. [Fig. 55.] CANTI FIRMI [Illustration: Fig. 61.] LESSON VI FOURTH SPECIES [Illustration: Fig. 62.] This species is the same as the second, except that the last note of the measure is tied to the first note of the next, forming a syncopation. As in the second species, the first note of the counterpoint should form a unison, octave or fifth, and when the counterpoint begins on the second half it may also be an imperfect consonance. When the counterpoint begins on the first half, the second half is treated the same as the second half of succeeding measures, described in the next paragraph. |
|