Preface to the Works of Shakespeare (1734) by Lewis Theobald
page 11 of 70 (15%)
page 11 of 70 (15%)
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with the vast Design and Execution of the Architect; others are
contracted, to amuse you with his Neatness and Elegance in little. *So, in _Shakespeare_, we may find _TraÃts_ that will stand the Test of the severest Judgment; and Strokes as carelessly hit off, to the Level of the more ordinary Capacities: Some Descriptions raisâd to that Pitch of Grandeur, as to astonish you with the Compass and Elevation of his Thought: and others copying Nature within so narrow, so confined a Circle, as if the Authorâs Talent lay only at drawing in Miniature. In how many Points of Light must we be obligâd to gaze at this great Poet! In how many Branches of Excellence to consider, and admire him! Whether we view him on the Side of Art or Nature, he ought equally to engage our Attention: Whether we respect the Force and Greatness of his Genius, the Extent of his Knowledge and Reading, the Power and Address with which he throws out and applies either Nature, or Learning, there is ample Scope both for our Wonder and Pleasure. If his Diction, and the cloathing of his Thoughts attract us, how much more must we be charmâd with the Richness, and Variety, of his Images and Ideas! If his Images and Ideas steal into our Souls, and strike upon our Fancy, how much are they improvâd in Price, when we come to reflect with what Propriety and Justness they are applyâd to Character! If we look into his Characters, and how they are furnishâd and proportionâd to the Employment he cuts out for them, how are we taken up with the Mastery of his Portraits! What Draughts of Nature! What Variety of Originals, and how differing each from the other! How are they dressâd from the Stores of his own luxurious Imagination; without being the Apes of Mode, or borrowing from any foreign Wardrobe! Each of Them are the Standards of Fashion for themselves: like Gentlemen that are above the |
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