carry many persons, while they vomited forth the most amusing firework.

This use passed from Florence to Rome, where, at the creation of the
popes, they displayed illuminations of hand-grenadoes, thrown from the
height of a castle. _Pyrotechnics_ from that time have become an art,
which, in the degree the inventors have displayed ability in combining
the powers of architecture, sculpture, and painting, have produced a
number of beautiful effects, which even give pleasure to those who read
the descriptions without having beheld them.[6]

A pleasing account of decorated fireworks is given in the Secret Memoirs
of France. In August, 1764, Torré, an Italian artist, obtained
permission to exhibit a pyrotechnic operation.--The Parisians admired
the variety of the colours, and the ingenious forms of his fire. But his
first exhibition was disturbed by the populace, as well as by the
apparent danger of the fire, although it was displayed on the
Boulevards. In October it was repeated; and proper precautions having
been taken, they admired the beauty of the fire, without fearing it.
These artificial fires are described as having been rapidly and
splendidly executed. The exhibition closed with a transparent triumphal
arch, and a curtain illuminated by the same fire, admirably exhibiting
the palace of Pluto. Around the columns, stanzas were inscribed,
supported by Cupids, with other fanciful embellishments. Among these
little pieces of poetry appeared the following one, which ingeniously
announced a more perfect exhibition:

Les vents, les frimats, les orages,
Eteindront ces FEUX, pour un tems;
Mais, ainsi que les FLEURS, avec plus d'avautage,
Ils renaîtront dans le printems.