medium that pre-historic man first knew; it produced the same
sensation of fear in him that it does in us at the present day.

Rhythm denotes a thought; it is the expression of a
purpose. There is will behind it; its vital part is intention,
power; it is an act. Melody, on the other hand, is an almost
unconscious expression of the senses; it translates feeling
into sound. It is the natural outlet for sensation. In anger
we raise the voice; in sadness we lower it. In talking we
give expression to the emotions in sound. In a sentence in
which fury alternates with sorrow, we have the limits of the
melody of speech. Add to this rhythm, and the very height of
expression is reached; for by it the intellect will dominate
the sensuous.


[01] The strength of the "Fate" motive in Beethoven's fifth
symphony undoubtedly lies in the succession of the four
notes at equal intervals of time. Beethoven himself
marked it _So pocht das Schicksal an die Pforte_.




II

ORIGIN OF SONG vs. ORIGIN OF INSTRUMENTAL MUSIC


Emerson characterized language as "fossil poetry," but "fossil