[02] _Kong_. His disciples called him _Fu Tsee_, or "the
master"; Jesuit missionaries Latinized this to Confucius.

[03] The Chinese theatre has been called an unconscious
parody of our old-fashioned Italian opera, and there
are certainly many resemblances. In a Chinese play,
when the situation becomes tragic, or when one of the
characters is seized with some strong emotion, it finds
vent in a kind of aria. The dialogue is generally given
in the most monotonous manner possible--using only
high throat and head tones, occasionally lowering or
raising the voice on a word, to express emotion. This
monotonous, and to European ears, strangely nonchalant,
nasal recitative, is being continually interrupted by
gong pounding and the shrill, high sound of discordant
reed instruments. When one or more of the characters
commits suicide (which as we know is an honoured custom
in China) he sings--or rather whines--a long chant before
he dies, just as his western operatic colleagues do, as,
for instance, Edgar in "Lucia di Lammermoor" and even,
to come nearer home, Siegfried in "Götterdämmerung."

[04] This drum was made of serpents' skins, and the sound of
it was so loud that it could be heard eight miles away.




VI