XX. DECLAMATION IN MUSIC 254
XXI. SUGGESTION IN MUSIC 261




CRITICAL AND HISTORICAL ESSAYS


I

THE ORIGIN OF MUSIC


Darwin's theory that music had its origin "in the sounds
made by the half-human progenitors of man during the season
of courtship" seems for many reasons to be inadequate and
untenable. A much more plausible explanation, it seems to me, is
to be found in the theory of Theophrastus, in which the origin
of music is attributed to the whole range of human emotion.

When an animal utters a cry of joy or pain it expresses its
emotions in more or less definite tones; and at some remote
period of the earth's history all primeval mankind must have
expressed its emotions in much the same manner. When this
inarticulate speech developed into the use of certain sounds as
symbols for emotions--emotions that otherwise would have been
expressed by the natural sounds occasioned by them--then we have
the beginnings of speech as distinguished from music, which
is still the universal language. In other words, intellectual