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The Art of Perfumery - And Methods of Obtaining the Odors of Plants by George William Septimus Piesse
page 71 of 292 (24%)
combinations of patchouly will be given in the recipes for "bouquets and
nosegays."

PEA (SWEET).--A very fine odor may be abstracted from
the flowers of the chick-vetch by maceration in any fatty body, and then
digesting the pomade produced in spirit. It is, however, rarely
manufactured, because a very close

IMITATION OF THE ESSENCE OF SWEET PEA.

can be prepared thus:--

Extract of tuberose, 1/2 pint.
" fleur d'orange, 1/2 "
" rose from pomatum, 1/2 "
" vanilla, 1 oz.

Scents, like sounds, appear to influence the olfactory nerve in certain
definite degrees. There is, as it were, an octave of odors like an
octave in music; certain odors coincide, like the keys of an instrument.
Such as almond, heliotrope, vanilla, and orange-blossoms blend together,
each producing different degrees of a nearly similar impression. Again,
we have citron, lemon, orange-peel, and verbena, forming a higher octave
of smells, which blend in a similar manner. The metaphor is completed by
what we are pleased to call semi-odors, such as rose and rose geranium
for the half note; petty grain, neroli, a black key, followed by fleur
d'orange. Then we have patchouli, sandal-wood, and vitivert, and many
others running into each other.

From the odors already known we may produce, by uniting them in proper
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