The Art of Perfumery - And Methods of Obtaining the Odors of Plants by George William Septimus Piesse
page 71 of 292 (24%)
page 71 of 292 (24%)
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combinations of patchouly will be given in the recipes for "bouquets and
nosegays." PEA (SWEET).--A very fine odor may be abstracted from the flowers of the chick-vetch by maceration in any fatty body, and then digesting the pomade produced in spirit. It is, however, rarely manufactured, because a very close IMITATION OF THE ESSENCE OF SWEET PEA. can be prepared thus:-- Extract of tuberose, 1/2 pint. " fleur d'orange, 1/2 " " rose from pomatum, 1/2 " " vanilla, 1 oz. Scents, like sounds, appear to influence the olfactory nerve in certain definite degrees. There is, as it were, an octave of odors like an octave in music; certain odors coincide, like the keys of an instrument. Such as almond, heliotrope, vanilla, and orange-blossoms blend together, each producing different degrees of a nearly similar impression. Again, we have citron, lemon, orange-peel, and verbena, forming a higher octave of smells, which blend in a similar manner. The metaphor is completed by what we are pleased to call semi-odors, such as rose and rose geranium for the half note; petty grain, neroli, a black key, followed by fleur d'orange. Then we have patchouli, sandal-wood, and vitivert, and many others running into each other. From the odors already known we may produce, by uniting them in proper |
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