ROZEL, _15th September_.


It's nine o'clock in the evening, my dear friend, and you have just
arrived from Germany. They hand you my letter, the post-mark of which
informs you at once that I am absent from Paris. You indulge in a gesture
of annoyance, and call me a vagabond. Nevertheless, you settle down in
your best arm-chair, you open my letter, and you hear that I have been for
the past five days domesticated in a flour-mill in Lower Normandy. In a
flour-mill! What the duse can he be doing in a mill? A wrinkle appears on
your forehead, your eyebrows are drawn together; you lay down my letter
for a moment; you attempt to penetrate this mystery by the unaided power
of your imagination. Suddenly a playful expression beams upon your
countenance; your mouth expresses the irony of a wise man tempered by the
indulgence of a friend; you have caught a glimpse, through an
opera-comique cloud, of a miller's pretty wife with powdered hair, a waist
all trimmed with gay ribbons, a light and short skirt, and stockings with
gilded clocks; in short, one of those fair young millers' wives whose
heart goes pit-a-pat with hautboy accompaniment. But the graces who are
ever sporting in your mind sometimes lead it astray; my fair miller is as
much like the creature of your imagination as I am like a youthful Colin;
her head is adorned with a towering cotton night-cap to which the thickest
possible coating of flour fails to restore its primitive color; she wears
a coarse woolen petticoat which would abrade the hide of an elephant; in
short, it frequently happens to me to confound the miller's wife with the
miller himself, after which it is sufficient to add that I am not the
least curious to know whether or not her heart goes pit-a-pat. The truth
is, that, not knowing how to kill time in your absence, and having no
reason to expect you to return before another month; (it's your own