Meno by Plato
page 10 of 89 (11%)
page 10 of 89 (11%)
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the crimes of Critias. He is a Thessalian Alcibiades, rich and luxurious--
a spoilt child of fortune, and is described as the hereditary friend of the great king. Like Alcibiades he is inspired with an ardent desire of knowledge, and is equally willing to learn of Socrates and of the Sophists. He may be regarded as standing in the same relation to Gorgias as Hippocrates in the Protagoras to the other great Sophist. He is the sophisticated youth on whom Socrates tries his cross-examining powers, just as in the Charmides, the Lysis, and the Euthydemus, ingenuous boyhood is made the subject of a similar experiment. He is treated by Socrates in a half-playful manner suited to his character; at the same time he appears not quite to understand the process to which he is being subjected. For he is exhibited as ignorant of the very elements of dialectics, in which the Sophists have failed to instruct their disciple. His definition of virtue as 'the power and desire of attaining things honourable,' like the first definition of justice in the Republic, is taken from a poet. His answers have a sophistical ring, and at the same time show the sophistical incapacity to grasp a general notion. Anytus is the type of the narrow-minded man of the world, who is indignant at innovation, and equally detests the popular teacher and the true philosopher. He seems, like Aristophanes, to regard the new opinions, whether of Socrates or the Sophists, as fatal to Athenian greatness. He is of the same class as Callicles in the Gorgias, but of a different variety; the immoral and sophistical doctrines of Callicles are not attributed to him. The moderation with which he is described is remarkable, if he be the accuser of Socrates, as is apparently indicated by his parting words. Perhaps Plato may have been desirous of showing that the accusation of Socrates was not to be attributed to badness or malevolence, but rather to a tendency in men's minds. Or he may have been regardless of the historical truth of the characters of his dialogue, as in the case of Meno |
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