Vision of Sir Launfal," From Holmes--"The Chambered Nautilus" and
"Old Ironsides." From James T. Fields--"The Captain's Daughter."
From Bayard Taylor--"The Song in Camp," From Celia Thaxter--"The
Sandpiper." From J.T. Trowbridge--"Farm-Yard Song." From Edith M.
Thomas--"The God of Music" and Hermes' "Moly."

To CHARLES SCRIBNER'S SONS we are indebted for the use of the
following poems: From the copyrighted works of Eugene
Field--"Wynken Blynken, and Nod," "Krinken," and "The Duel." From
Robert Louis Stevenson--"My Shadow." From James Whitcomb Riley's
poems--"Little Orphant Annie." From the poems of Sidney
Lanier--"Barnacles" and "The Tournament." From "The Poems of
Patriotism"--"Sheridan's Ride."

We are further indebted to CHARLES SCRIBNER'S SONS, as well as
to MR. GEORGE W. CABLE, for "The New Arrival," taken from
"The Cable Story Book," and to MRS. KATHERINE MILLER and
_Scribner's Magazine_ for "Stevenson's Birthday."

To J.B. LIPPINCOTT COMPANY we are indebted for the use of
"Sheridan's Ride," from the complete works of T. Buchanan Read.

To HARPER & BROTHERS for the use of "Driving Home the Cows,"
by Kate Putnam Osgood.

To LITTLE, BROWN & COMPANY, of Boston, "How the Leaves Came
Down," by Susan Coolidge.

To the WHITAKER & RAY COMPANY, of San Francisco, "Columbus,"
by Joaquin Miller, from his complete works published and