"'For me, of course,' says Fergus. 'You've never seen her. Now, I've
had Francesca point me out to her as being you on several occasions.
When she sees me on the plaza, she thinks she's looking at Don
Judson Tate, the greatest hero, statesman, and romantic figure in
the country. With your reputation and my looks combined in one
man, how can she resist him? She's heard all about your thrilling
history, of course. And she's seen me. Can any woman want more?'
asks Fergus McMahan.

"'Can she do with less?' I ask. 'How can we separate our mutual
attractions, and how shall we apportion the proceeds?'

"Then Fergus tells me his scheme.

"The house of the alcalde, Don Luis Zamora, he says, has a _patio_,
of course--a kind of inner courtyard opening from the street. In an
angle of it is his daughter's window--as dark a place as you could
find. And what do you think he wants me to do? Why, knowing my
freedom, charm, and skilfulness of tongue, he proposes that I go
into the _patio_ at midnight, when the hobgoblin face of me cannot
be seen, and make love to her for him--for the pretty man that she
has seen on the plaza, thinking him to be Don Judson Tate.

"Why shouldn't I do it for him--for my friend, Fergus McMahan?
For him to ask me was a compliment--an acknowledgment of his own
shortcomings.

"'You little, lily white, fine-haired, highly polished piece of dumb
sculpture,' says I, 'I'll help you. Make your arrangements and get