proper manner the genius that had so brilliantly transferred to
imperishable canvas a scene so typical of the great sources of our
state's wealth and prosperity, land--and--er--live-stock.

Senator Kinney represented a section of the state in the extreme
West--400 miles from the San Saba country--but the true lover of
art is not limited by metes and bounds. Nor was Senator Mullens,
representing the San Saba country, lukewarm in his belief that
the state should purchase the painting of his constituent. He was
advised that the San Saba country was unanimous in its admiration
of the great painting by one of its own denizens. Hundreds of
connoisseurs had straddled their broncos and ridden miles to view
it before its removal to the capital. Senator Mullens desired
reëlection, and he knew the importance of the San Saba vote. He also
knew that with the help of Senator Kinney--who was a power in the
legislature--the thing could be put through. Now, Senator Kinney had
an irrigation bill that he wanted passed for the benefit of his own
section, and he knew Senator Mullens could render him valuable aid
and information, the San Saba country already enjoying the benefits
of similar legislation. With these interests happily dovetailed,
wonder at the sudden interest in art at the state capital must,
necessarily, be small. Few artists have uncovered their first
picture to the world under happier auspices than did Lonny Briscoe.

Senators Kinney and Mullens came to an understanding in the matter
of irrigation and art while partaking of long drinks in the café of
the Empire Hotel.

"H'm!" said Senator Kinney, "I don't know. I'm no art critic, but it
seems to me the thing won't work. It looks like the worst kind of a