Musicians of To-Day by Romain Rolland
page 70 of 300 (23%)
page 70 of 300 (23%)
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Will that revolution still be accomplished? Perhaps; but it has suffered half a century's delay. Berlioz bitterly calculated that people would begin to understand him about the year 1940.[106] After all, why be astonished that his mighty mission was too much for him? He was so alone.[107] As people forsook him, his loneliness stood out in greater relief. He was alone in the age of Wagner, Liszt, Schumann, and Franck; alone, yet containing a whole world in himself, of which his enemies, his friends, his admirers, and he himself, were not quite conscious; alone, and tortured by his loneliness. Alone--the word is repeated by the music of his youth and his old age, by the _Symphonie fantastique_ and _Les Troyens_. It is the word I read in the portrait before me as I write these lines--the beautiful portrait of the _Mémoires_, where his face looks out in sad and stern reproach on the age that so misunderstood him. [Footnote 106: "My musical career would finish very pleasingly if only I could live for a hundred and forty years" _(Mémoires_, II, 390).] [Footnote 107: This solitude struck Wagner. "Berlioz's loneliness is not only one of external circumstances; its origin is in his temperament. Though he is a Frenchman, with quick sympathies and interests like those of his fellow-citizens, yet he is none the less alone. He sees no one before him who will hold out a helping hand, there is no one by his side on whom he may lean" (Article written 5 May, 1841). As one reads these words, one feels it was Wagner's lack of sympathy and not his intelligence that prevented him from understanding Berlioz. In his heart I do not doubt that he knew well who was his great rival. But he never said anything about it--unless perhaps one counts an odd document, |
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