A Year's Journey through France and Part of Spain, 1777 - Volume 1 (of 2) by Philip Thicknesse
page 98 of 146 (67%)
page 98 of 146 (67%)
![]() | ![]() |
|
appeared as if it were designed to take with it all earthly things; and
I felt almost forced by it, and summoned from my seat, and could hardly refrain from jumping over a parapet wall which stood before me. The building of this hermitage, however, is very secure; nothing can shake or remove it, but that which must shake or remove the whole mountain. At this cell, small as it is, King Philip the Third dined on the eleventh of July 1599;--a circumstance, you may be sure, the inhabitant will never forget, or omit to mention. It commands at noon-day a fine prospect eastward, and is approached by a good stage of steps. Not far from it, on the road side, is a little chapel called St. Michael, a chapel as ancient as the monastery itself; and a little below is the grotto, in which the image of the Virgin, now fixed in the high altar of the church, was found. The entrance of this grotto is converted into a chapel, where mass is said every day by one of the monks. All the hermitages, even the smallest, have their little chapel, the ornaments for saying mass, their water cistern, and most of them a little garden. The building consists of one or two little chambers, a little refectory, and a kitchen; but many of them have every convenience within and without that a single man can wish or desire, except he should wish for or desire _such things_ as he was obliged to renounce when he took possession of it. From hence, by a road more wonderful than safe or pleasing, you are led on a ridge of mountains to the lofty cell of _St. Onofre_. It stands in a cleft in one of the pine heads, six and thirty feet (I was going to say) above the earth; its appearance is indeed astonishing, for it seems in a manner hanging in the air; the access to it is by a ladder of sixty steps, extremely difficult to ascend, and even then you have a wooden bridge to cross, fixed from rock to rock, under which is an aperture of so terrifying an appearance, that I still think a person, not over |
|