Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction by John Addington Symonds
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page 62 of 866 (07%)
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during which scholarly efforts are made to purify style and impose laws
on taste. The ensuing period of sense is also marked by profounder inquiries into nature and more exact analysis of mental operations. The correct school of poets, culminating in Dryden and Pope, holds sway in England; while Newton, Locke, and Bentley extend the sphere of science. In France the age of Rabelais and Montaigne yields place to the age of Racine and Descartes. Germany was so distracted by religious wars, Spain was so down-trodden by the Inquisition, that they do not offer equally luminous examples.[8] It may be added that in all these nations the end of the eighteenth and the beginning of the nineteenth centuries are marked by a similar revolt against formality and common sense, to which we give the name of the Romantic movement. [Footnote 8: With regard to Germany, see Mr. T. S. Perry's acute and philosophical study, entitled _From Opitz to Lessing_ (Boston).] Quitting this sphere of speculation, we may next point out that the European system had undergone an incalculable process of transformation. Powerful nationalities were in existence, who, having received their education from Italy, were now beginning to think and express thought with marked originality. The Italians stood no longer in a relation of uncontested intellectual superiority to these peoples, while they met them under decided disadvantages at all points of political efficiency. The Mediterranean had ceased to be the high road of commercial enterprise and naval energy. Charles V.'s famous device of the two columns, with its motto _Plus Ultra_, indicated that illimitable horizons had been opened, that an age had begun in which Spain, England and Holland should dispute the sovereignty of the Atlantic and Pacific oceans. Italy was left, with diminished forces of resistance, to bear the brunt of Turk and Arab depredations. The point of gravity in the |
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