a desperate engagement, but, notwithstanding their murderous weapons,
the Orangemen were utterly routed, flying before the disciplined charge
of the police, who freely used their batons on their retreating
opponents.

A few words about Michael James Whitty, who led the charge with right
good will, may not be inappropriate here. Many years afterwards, when we
were both engaged in the profession of journalism, I had the pleasure of
making his acquaintance through my reviewing in the "Catholic Times" a
very able book of his, a "Life of Robert Emmet." He asked Mr. Thomas
Gregson, his private secretary, a friend of mine: Who had written this
review? Upon hearing who it was, he asked Mr. Gregson to bring us
together. When we met, he told me how pleased he was with my review, and
that there was somebody on the "Catholic Times" who could appreciate his
book.

He became Chief Constable of Liverpool in 1828. About this time Messrs.
Rockliffs published a weekly newspaper called the "Liverpool Journal,"
which came into the hands of Mr. Whitty after he had resigned the office
of head constable. An offshoot of the "Journal" was the "Daily Post,"
which, in Mr. Whitty's hands was (and indeed has been ever since under
the direction of Sir Edward Russell, who still holds the reins) a
powerful organ of Liberalism. One of Whitty's sub-editors on the "Daily
Post" was Stephen Joseph Meany, a somewhat prominent figure in the Young
Ireland and Fenian movements.

As showing the power of the Press, there is no doubt that Whitty and
Meany, in the "Journal" and "Post," and through their influence
otherwise, did much to secure recognition of a great Irish actor. This
was Barry Sullivan, who was, I think, the finest tragedian I have ever