Plato's conception of him, appearing in the greatest and most public scene
of his life, and in the height of his triumph, when he is weakest, and yet
his mastery over mankind is greatest, and his habitual irony acquires a new
meaning and a sort of tragic pathos in the face of death. The facts of his
life are summed up, and the features of his character are brought out as if
by accident in the course of the defence. The conversational manner, the
seeming want of arrangement, the ironical simplicity, are found to result
in a perfect work of art, which is the portrait of Socrates.

Yet some of the topics may have been actually used by Socrates; and the
recollection of his very words may have rung in the ears of his disciple.
The Apology of Plato may be compared generally with those speeches of
Thucydides in which he has embodied his conception of the lofty character
and policy of the great Pericles, and which at the same time furnish a
commentary on the situation of affairs from the point of view of the
historian. So in the Apology there is an ideal rather than a literal
truth; much is said which was not said, and is only Plato's view of the
situation. Plato was not, like Xenophon, a chronicler of facts; he does
not appear in any of his writings to have aimed at literal accuracy. He is
not therefore to be supplemented from the Memorabilia and Symposium of
Xenophon, who belongs to an entirely different class of writers. The
Apology of Plato is not the report of what Socrates said, but an elaborate
composition, quite as much so in fact as one of the Dialogues. And we may
perhaps even indulge in the fancy that the actual defence of Socrates was
as much greater than the Platonic defence as the master was greater than
the disciple. But in any case, some of the words used by him must have
been remembered, and some of the facts recorded must have actually
occurred. It is significant that Plato is said to have been present at the
defence (Apol.), as he is also said to have been absent at the last scene
in the Phaedo. Is it fanciful to suppose that he meant to give the stamp