On The Art of Reading by Sir Arthur Thomas Quiller-Couch
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page 10 of 272 (03%)
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hundred pages of titles and authors in simple enumeration! The
brain reels; it already suffers 'cerebral inconveniences.' But stretch the list back to Chaucer, back through Chaucer to those alleged prose writings in the Wessex dialect, then forward from 1785 to Wordsworth, to Byron, to Dickens, Carlyle, Tennyson, Browning, Meredith, even to this year in which literature still lives and engenders; and the brain, if not too giddy indeed, stands as Satan stood on the brink of Chaos-- Pondering his voyage; for no narrow frith He had to cross-- and sees itself, with him, now plumbing a vast vacuity, and anon nigh-foundered, 'treading the crude consistence.' The whole business of reading English Literature in two years, to _know_ it in any reputable sense of the word--let alone your learning to write English--is, in short, impossible. And the framers of the Statute, recognising this, have very sensibly compromised by setting you to work on such things as 'the Outlines of English Literature'; which are not Literature at all but are only what some fellow has to say about it, hastily summarising his estimates of many works, of which on a generous computation he has probably read one-fifth; and by examining you on (what was it all?) 'language, metre, literary history and literary criticism,' which again are not Literature, or at least (as a Greek would say in his idiom) escape their own notice being Literature. For English Literature, as I take it, is _that which sundry men and women have written memorably in English about Life._ And so I come to my subject--the art of reading _that,_ |
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