Charles Dickens and Music by James T. Lightwood
page 16 of 210 (07%)
page 16 of 210 (07%)
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Orders Grey, represented by a little girl in a hoop,
with a ship in the distance. All these as of yore, when they were infinite delights to me. On one of his explorations he met a landsman who told him about the running down of an emigrant ship, and how he heard a sound coming over the sea 'like a great sorrowful flute or Aeolian harp.' He makes another and very humorous reference to this instrument in a letter to Landor, in which he calls to mind that steady snore of yours, which I once heard piercing the door of your bedroom ... reverberating along the bell-wire in the hall, so getting outside into the street, playing Aeolian harps among the area railings, and going down the New Road like the blast of a trumpet. The deserted watering-place referred to in _Out of the Season_ is Broadstairs, and he gives us a further insight into its musical resources in a letter to Miss Power written on July 2, 1847, in which he says that a little tinkling box of music that stops at 'come' in the melody of the Buffalo Gals, and can't play 'out to-night,' and a white mouse, are the only amusements left at Broadstairs. 'Buffalo Gals' was a very popular song 'Sung with great applause by the Original Female American Serenaders.' (_c._ 1845.) The first verse will explain the above allusion: |
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