Charles Dickens and Music by James T. Lightwood
page 24 of 210 (11%)
page 24 of 210 (11%)
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Dickens was always very careful in his choice of names and
titles, and the evolution of some of the latter is very interesting. One of the many he conceived for the magazine which was to succeed _Household Words_ was _Household Harmony_, while another was _Home Music_. Considering his dislike of bells in general, it is rather surprising that two other suggestions were _English Bells_ and _Weekly Bells_, but the final choice was _All the Year Round_. Only once does he make use of a musician's name in his novels, and that is in _Great Expectations_. Philip, otherwise known as Pip, the hero, becomes friendly with Herbert Pocket. The latter objects to the name Philip, 'it sounds like a moral boy out of a spelling-book,' and as Pip had been a blacksmith and the two youngsters were 'harmonious,' Pocket asks him: 'Would you mind Handel for a familiar name? There's a charming piece of music, by Handel, called the "Harmonious Blacksmith."' 'I should like it very much.' Dickens' only contribution to hymnology appeared in the _Daily News_ February 14, 1846, with the title 'Hymn of the Wiltshire Labourers.' It was written after reading a speech at one of the night meetings of the wives of agricultural labourers in Wiltshire, held with the object of petitioning for Free Trade. This is the first verse: O God, who by Thy Prophet's hand Did'st smite the rocky brake, |
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