Charles Dickens and Music by James T. Lightwood
page 30 of 210 (14%)
page 30 of 210 (14%)
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_Violin and Kit._
We meet with but few players on the violin, and it is usually mentioned in connexion with other instruments, though it was to the strains of a solitary fiddle that Simon Tappertit danced a hornpipe for the delectation of his followers, while the same instrument supplied the music at the Fezziwig's ball. In came a fiddler with a music-book, and went up to the lofty desk, and made an orchestra of it, and tuned like fifty stomach-aches. The orchestra at the 'singing-house' provided for Jack's amusement when ashore (_U.T._ 5) consisted of a fiddle and tambourine; while at dances the instruments were fiddles and harps. It was the harps that first aroused Mr. Jingle's curiosity, as he met them being carried up the staircase of The Bull at Rochester, while, shortly after, the tuning of both harps and fiddles inspired Mr. Tupman with a strong desire to go to the ball. Sometimes the orchestra is a little more varied. At the private theatricals which took place at Mrs. Gattleton's (_S.B.T._ 9), the selected instruments were a piano, flute, and violoncello, but there seems to have been a want of proper rehearsal. Ting, ting, ting! went the prompter's bell at eight o'clock precisely, and dash went the orchestra into the overture to the _Men of Prometheus_. The pianoforte player hammered away with laudable perseverance, and the violoncello, which struck in at intervals, sounded very |
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