Punch, or the London Charivari, Vol. 159, August 4th, 1920 by Various
page 13 of 61 (21%)
page 13 of 61 (21%)
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occupied in transcription, if not also in actual composition, being, I
should guess, the East India Company's. It is not, I imagine, the first draft, but the first fair copy after all the changes had been made and the form was fixed; and its author, if he is in any position to know what is going forward on a planet which he left some six-and-eighty years ago, must have been amused when he heard that so much money--thousands and thousands of dollars--had been given for it at auction the other day. Reading the essay again, in the faded ink on the yellowing paper, I realised once more that everything that can be said about little pigs, dead and ripe for the eater, had been said here and said finally. But the living? That very evening I was to find little live pigs working for their maintenance under conditions of which I had never dreamed, in an environment less conducive, one would suppose, to porcine activity than any that could be selected. It was at Coney Island, that astonishing permanent and magnified Earl's Court Exhibition, summer Blackpool and August-Bank-Holiday-Hampstead-Heath, which New York supports for its beguilement. In this domain of switchbacks and chutes, merry-go-rounds and shooting-galleries, dancing-halls and witching waves, vociferous and crowded and lit by a million lamps, I came suddenly upon the Pig Slide and had a new conception of what quadrupeds can do for man. The Pig Slide, which was in one of the less noisy quarters of Luna Park, consisted of an enclosure in which stood a wooden building of two storeys, some five yards wide and three high. On the upper storey was a row of six or eight cages, in each of which dwelt a little live pig, an infant of a few weeks. In the middle of the row, descending to the ground, was an inclined board, with raised edges, such as is often installed in swimming- |
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