_Dor._ O star of Rome! what gratitude can speak
Fit words to follow such a deed as this?

_Mar._ This admirable duke, Valerius,
With his disdain of fortune and of death,
Captived himself, has captived me,
And though my arm hath ta'en his body here,
His soul hath subjugated Martius' soul.
By Romulus,[316] he is all soul, I think;
He hath no flesh, and spirit cannot be gyved;
Then we have vanquished nothing; he is free,
And Martius walks now in captivity."

2. I do not readily remember any poem, play, sermon, novel, or
oration, that our press vents in the last few years, which goes to the
same tune. We have a great many flutes and flageolets, but not often
the sound of any fife. Yet, Wordsworth's Laodamia, and the ode of
"Dion,"[317] and some sonnets, have a certain noble music; and
Scott[318] will sometimes draw a stroke like the portrait of Lord
Evandale, given by Balfour of Burley.[319] Thomas Carlyle,[320] with
his natural taste for what is manly and daring in character, has
suffered no heroic trait in his favorites to drop from his
biographical and historical pictures. Earlier, Robert Burns[321] has
given us a song or two. In the Harleian Miscellanies,[322] there is an
account of the battle of Lutzen,[323] which deserves to be read. And
Simon Ockley's[324] History of the Saracens recounts the prodigies of
individual valor with admiration, all the more evident on the part of
the narrator, that he seems to think that his place in Christian
Oxford[325] requires of him some proper protestations of abhorrence.