this incredible beauty: we dip our hands in this painted element: our
eyes are bathed in these lights and forms. A holiday, a
villeggiatura,[480] a royal revel, the proudest, most heart-rejoicing
festival that valor and beauty, power and taste, ever decked and
enjoyed, establishes itself on the instant. These sunset clouds, these
delicately emerging stars, with their private and ineffable glances,
signify it and proffer it. I am taught the poorness of our invention,
the ugliness of towns and palaces. Art and luxury have early learned
that they must work as enhancement and sequel to this original beauty.
I am overinstructed for my return. Henceforth I shall be hard to
please. I cannot go back to toys. I am grown expensive and
sophisticated. I can no longer live without elegance: but a countryman
shall be my master of revels. He who knows the most, he who knows what
sweets and virtues are in the ground, the waters, the plants, the
heavens, and how to come at these enchantments, is the rich and royal
man. Only as far as masters of the world have called in nature to
their aid, can they reach the height of magnificence. This is the
meaning of their hanging-gardens,[481] villas, garden-houses, islands,
parks, and preserves, to back their faulty personality with these
strong accessories. I do not wonder that the landed interest should be
invincible in the state with these dangerous auxiliaries. These bribe
and invite; not kings, not palaces, not men, not women, but these
tender and poetic stars, eloquent of secret promises. We heard what
the rich man said, we knew of his villa, his grove, his wine, and his
company, but the provocation and point of the invitation came out of
these beguiling stars. In their soft glances, I see what men strove to
realize in some Versailles,[482] or Paphos,[483] or Ctesiphon.[484]
Indeed, it is the magical lights of the horizon, and the blue sky for
the background, which save all our works of art, which were otherwise
baubles. When the rich tax the poor with servility and obsequiousness,