Piano and Song - How to Teach, How to Learn, and How to Form a Judgment of Musical Performances by Friedrich Wieck
page 21 of 139 (15%)
page 21 of 139 (15%)
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STOCK (_contemptuously_). Mr. Buffalo can't bear Chopin and Schumann. Mr. Buffalo lately played through Schumann's "Kinderscenen," that people are making such a talk about. My mamma, who is also musical, and used to sing when papa played the flute, said, "What ridiculous little things are those? Are they waltzes for children? and then the babyish names for them! He may play such stuff to his wife, but not to us." DOMINIE. Well, these "Kinderscenen" _are_ curious little bits for grown-up men's hands. Your mother is right, they are too short: there certainly ought to be more of them. But they are not waltzes! STOCK. Indeed, I am not allowed to play waltzes at all. My teacher is very thorough: first, I shall have to dig through all the Gradus ad Parnassum; and then he is going to undertake a concerto of Beethoven's with me, and will write the proper fingering over it. I shall play that in public; and then, as he and my aunt say, "I shall be the death of you all." MR. BUFFALO (_who has overheard him, steps up_). Now, Herr Dominie, how do you like my method? Perhaps you have a different one? Nevertheless, that shan't prevent our being good friends. Certainly, if any thing is to be accomplished in these times, it is necessary to keep at work,--that is my doctrine. But Stock, here, has unusual patience and perseverance. He has worked through all Cramer's 96 Etudes in succession without grumbling. He was wretched enough over them; but his papa bought him a saddle-horse to ride round on every day, and he revived in the fresh air. (_Herr Zach with his wife and an old aunt are playing cards in the |
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