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Piano and Song - How to Teach, How to Learn, and How to Form a Judgment of Musical Performances by Friedrich Wieck
page 25 of 139 (17%)
gold, and yet we are offered lead? And the poor teachers torment
themselves and the boys, abuse art and the piano; and at the end of the
evening, in despair, torment their own wives, after they have all day
long been scolding, cuffing, and lamenting, without success or
consolation. You speak the truth. I have had the same experience myself,
though not to the same degree, and though I did not bring home to my
wife a dreary face, but only a good appetite. But I did not give myself
up to lamentation over piano-teaching. I gathered up courage and rose
above mere drudgery. I reflected and considered and studied, and tried
whether I could not manage better, as I found I could not succeed with
the boys; and I have managed better and succeeded better, because I have
hit upon a different way, and one more in accordance with nature than
that used in the piano schools. I laid down, as the first and most
important principle, the necessity for "the formation of a fine touch,"
just as singing-teachers rely upon the culture of a fine tone, in order
to teach singing well. I endeavored, without notes, to make the
necessary exercises so interesting that the attention of the pupils
always increased; and that they even, after a short time, took great
pleasure in a sound, tender, full, singing tone; an acquirement which,
unfortunately, even many _virtuosos_ do not possess. In this way, we
made an opening at the beginning, not in the middle: we harnessed the
horse _before_ the wagon. The pupil now obtained a firm footing, and had
something to enjoy, without being tormented at every lesson with dry
matters to be learned, the advantage of which was not obvious to him,
and the final aim of which he did not perceive. Until a correct touch
has been acquired, it is of no use to talk about a fine singing tone.
How can we expect to arouse an interest by mere toneless tinkling, while
stiff, inflexible fingers are struggling with the notes; while the pupil
sees only his inability to do any thing right, and receives nothing but
blame from the teacher; while, at the same time, so much is to be kept
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