Piano and Song - How to Teach, How to Learn, and How to Form a Judgment of Musical Performances by Friedrich Wieck
page 35 of 139 (25%)
page 35 of 139 (25%)
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themselves more highly than salvation by others.
MRS. SOLID. But it is said that you have been able to educate only your three daughters, and none others for public performers. DOMINIE. Madam, you cannot be serious. If I were to declaim Leporello's list, you might justly consider it an exaggeration; but if, instead of replying to you, I should urge you to read what I have written on the subject, or if I should present your daughter Emily to you, after three or four years, as a superior performer, you might pardon my vanity and my ability. I do not possess any magic wand, which envy and folly could not impute to me as an offence. Nevertheless, unless circumstances were very adverse, I have, at all events, been able in a short time to accomplish for my pupils the acquisition of a good, or at least an improved, musical touch; and have thus laid a foundation, which other teachers have failed to do by their method, or rather want of method. But you have something else on your mind? MRS. SOLID. You anticipate me. I was educated in Berlin, and in that capital of intelligence a taste prevails for opposition, negation, and thorough criticism. How can you educate artists and _virtuosos_, when you yourself are so little a _virtuoso_? You are not even a composer or learned contrapuntist. A teacher of music wins much greater consideration, if he himself plays concertos and composes pretty things, and if he can calculate and give vent to his genius in double and triple fugues, and in inverse and retrograde canons. You cannot even accompany your pupils with the violin or flute, which is certainly very useful and improving. DOMINIE. The egotist is seldom capable of giving efficient instruction: |
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