Piano and Song - How to Teach, How to Learn, and How to Form a Judgment of Musical Performances by Friedrich Wieck
page 46 of 139 (33%)
page 46 of 139 (33%)
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can play one piece nicely and without bungling, while it is all
accomplished in a quiet and pleasant manner? MRS. SOLID. Do you pursue the same course with longer and more difficult pieces? DOMINIE. Certainly, on the same principle. MRS. SOLID. But, if you are so particular about every piece, and always take so much pains to improve the touch, it will be a long time before Emily will be able to execute several long pieces and can learn other new ones beside. DOMINIE. Do you wish your daughter to learn to jingle on the piano, in order to become musical? or shall she grow more musical by learning to play finely? I am sure the latter is your wish, as it is mine: otherwise, you would be contented with an ordinary teacher. You must consider that, when she has made a beginning, by learning to play one piece thoroughly and quite correctly, the following pieces will be learned more and more quickly; for she will have acquired a dexterity in playing, as you may observe with yourself and with every one. To be able to drum off fifty pieces in an imperfect manner does not justify the expectation that the fifty-first piece will be learned more easily or better; but to attain a perfect mastery of four or five pieces gives a standard for the rest. In this way, and by mechanical studies, such as I have begun with Emily, the greatest ease in reading at sight is gradually developed, in which all my pupils excel, when they have remained long enough under my instruction, and in which my daughters are pre-eminent. But for this it |
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