raises the dampers is used at the same time, it must be only with the
greatest nicety. The soft pedal may be used in an echo; but should be
preceded by a slight pause, and then should be employed throughout the
period, because the ear must accustom itself gradually to this tender,
maidenly, sentimental tone. There must again be a slight pause before
the transition to the usual more masculine tone, with the three strings.
The soft pedal is, moreover, most effective in slow movements with full
chords, which allow time to bring out the singing tone, in which
consists the advantage of the stroke of the hammers on two strings
alone.




CHAPTER VII.

A MUSICAL TEA-PARTY AT THE HOUSE OF JOHN SPRIGGINS.


I once more introduce my readers to the scenes of my active, musical
life, with an invitation to accompany me to a musical tea-party. My
object is, in a short and entertaining manner, to remove very common
prejudices; to correct mistaken ideas; to reprove the followers of mere
routine; to oppose to malicious cavilling the sound opinions of an
experienced teacher; to scourge dogmatic narrow-mindedness; and in this
way to advance my method of instruction.

* * * * *

DRAMATIS PERSONÆ.