American Hand Book of the Daguerrotype by S. D. (Samuel Dwight) Humphrey
page 32 of 162 (19%)
page 32 of 162 (19%)
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After standing a few moments, the mixture may be passed through
bibulous paper, and the residue perfectly dried for use. The principal colors used are Carmine, Chrome Yellow, Burnt Sienna, Ultramarine and White; boxes fitted with sets of colors properly prepared, may be obtained of the dealers, and include Carmine, White, Lilac, Sky Blue, Pink, Yellow, Flesh color, Orange, Brown, Purple, Light Green, Dark Green and Blue. With a few colors, however, all the rest may be made thus: Orange, by Yellow and Red; Purple, with Blue and Red; Green, Blue and Yellow; Brown, with Umber, Carmine and Lamp Black; Scarlet, Carmine and Light Red. While it is true that a little color may relieve the dark metallic look of some Daguerreotypes, it must not be concealed that the covering of the fine delicate outline and exquisite gradations of tone of a good picture with such a coating, is barbarous and unartistic. "The prevaling taste is, however, decidedly for colored proofs, and the following directions will assist the amateur in ministering to this perverted taste, should he be so inclined. The coloring should commence with the face, and the flesh tint must be stippled on (not rubbed) with a small camel's-hair brush, beginning from the centre of the cheek, taking great care not to go over the outline of the face, and also not to have too much color in the brush; the eyes and eyebrows must not be touched with color. After the flesh color is applied, take a piece of very soft cotton and pass it very gently backwards and forwards over the face, so as to soften down the color, and then apply the carmine to give the required tint. For men, the darker tints should predominate, and for women |
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