Some Turns of Thought in Modern Philosophy - Five Essays by George Santayana
page 54 of 78 (69%)
page 54 of 78 (69%)
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they are everywhere striving to discover in those miscellaneous objects
some intelligible order and method. And as the emotion of the pure artist, whatever may be his materials, lies in finding in them some formal harmony or imposing it upon them, so the interest of the scientific mind, in so far as it is free and purely intellectual, lies in tracing their formal pattern. The mathematician can afford to leave to his clients, the engineers, or perhaps the popular philosophers, the emotion of belief: for himself he keeps the lyrical pleasure of metre and of evolving equations: and it is a pleasant surprise to him, and an added problem, if he finds that the arts can use his calculations, or that the senses can verify them; much as if a composer found that the sailors could heave better when singing his songs. Yet such independence, however glorious inwardly, cannot help diminishing the prestige of the arts in the world. If science misled us before, when it was full of clearness and confidence, how shall we trust it now that it is all mystery and paradox? If classical physics needed this fundamental revision, near to experience and fruitful as it was, what revision will not romantic physics require? Nor is the future alone insecure: even now the prophets hardly understand one another, or perhaps themselves; and some of them interlard their science with the most dubious metaphysics. Naturally the enemies of science have not been slow to seize this opportunity: the soft-hearted, the muddle-headed, the superstitious are all raising their voices, no longer in desperate resistance to science, but hopefully, and in its name. Science, they tell us, is no longer hostile to religion, or to divination of any sort. Indeed, divination is a science too. Physics is no longer materialistic since space is now curved, and filled with an ether through which light travels at 300,000 kilometres per second--an immaterial rate: because if anything material ventured to move at that forbidden speed, it would be so flattened that it would cease |
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