Mike Fletcher - A Novel by George (George Augustus) Moore
page 54 of 332 (16%)
page 54 of 332 (16%)
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like a saint of old, who, on the last verge of the desert, turns and
smiles upon the world he conquered. "The great night collects and advances in shadow; and wandering vapour, taking fire in the darkness, rolls, tumbling over and over like fiery serpents, through loneliness and reeds. "But in the eternal sunshine of the South flowers have not become extinct; winds have carried seeds hither and thither, and the earth has waxed lovely, and the calm of the spiritual evenings of the Adriatic descend upon eternal perfume and the songs of birds. Symbol of pain or joy there is none, and the august silence is undisturbed by tears. From rotting hangings in Venice rats run, and that idle wave of palace-stairs laps in listless leisure the fallen glories of Veronese. As it is with painters so it is with poets, and wolf cubs tear the pages of the last _Divine Comedy_ in the world. Rome is his great agony, her shameful history falls before his eyes like a painted curtain. All the inner nature of life is revealed to him, and he sees into the heart of things as did Christ in the Garden of Gethsemane--Christ, that most perfect symbol of the denial of the will to live; and, like Christ, he cries that the world may pass from him. "But in resignation, hatred and horror vanish, and he muses again on the more than human redemption, the great atonement that man has made for his shameful life's history; and standing amid the orange and almond trees, amid a profusion of bloom that the world seems to have brought for thank-offering, amid an apparent and glorious victory of inanimate nature, he falls down in worship of his race that had freely surrendered all, knowing it to be nothing, and in surrender |
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