library! One of the foremost of American novelists, a man of real
literary insight and of genuine charm of style, says that he can write
as comfortably on a trunk in a room at a hotel, waiting to be called
for a train, as in his own library. There is a good deal of discipline
behind such a power of concentration as that illustrated in both these
cases; but it is a power which can be cultivated by any man or woman
of resolution. Once acquired, the exercise of it becomes both easy and
delightful. It transforms travel, waiting, and dreary surroundings
into one rich opportunity. The man who has the "Tempest" in his
pocket, and can surrender himself to its spell, can afford to lose
time on cars, ferries, and at out-of-the-way stations; for the world
has become an extension of his library, and wherever he is, he is at
home with his purpose and himself.




Chapter III.

Meditation and Imagination.


There is a book in the British Museum which would have, for many
people, a greater value than any other single volume in the world; it
is a copy of Florio's translation of Montaigne, and it bears
Shakespeare's autograph on a flyleaf. There are other books which must
have had the same ownership; among them were Holinshed's "Chronicles"
and North's translation of Plutarch. Shakespeare would have laid
posterity under still greater obligations, if that were possible, if
in some autobiographic mood he had told us how he read these books;