nature of which he is obviously in entire ignorance. The conscious
skill of Voltaire was delicate, subtle, full of vitality; but the
unconscious side of his nature was essentially shallow, thin, largely
undeveloped; and it is the preponderance of the unconscious over the
conscious in a man's life which makes him great in himself and equips
him for work of the highest quality. No man can put his skill to the
highest use and give his knowledge the final touch of individuality
until both are so entirely incorporated in his personality that they
have become part of himself.

This deepest and most vital of all the processes of self-education and
self-unfolding, which is brought to such perfection in men of the
highest creative power, is the fundamental process of culture,--the
chief method which every man uses, consciously or unconsciously, who
brings his nature to complete ripeness of quality and power. The
absorption of vital experience and knowledge which went on in
Shakespeare enlarged and clarified his vision and insight to such a
degree that both became not only searching, but veracious in a rare
degree; life was opened to him on many sides by the expansion first
accomplished in himself. This is saying again what has been said so
many times, but cannot be said too often,--that, in order to give
one's work a touch of greatness, a man must first have a touch of
greatness in his own nature. But greatness is not an irresponsible and
undirected growth; it is as definitely conditioned on certain
obediences to intellectual discipline and spiritual law as is any kind
of lesser skill conditioned on practice and work. One of these
conditions is the development of the power to turn conscious processes
of observation, emotion, and skill into unconscious processes; to
enrich the nature below the surface, so to speak; to make the soil
productive by making it deep and rich. Men of mere skill always stop