INTRODUCTORY.


To write the history of the Negro race within that part of the western
world known as the United States of America would be a task to which
one might devote a life time and still fail in its satisfactory
accomplishment. The difficulties lying in the way of collecting and
unifying the material are very great; and that of detecting the inner
life of the people much greater. Facts and dates are to history what
color and proportion are to the painting. Employed by genius, color
and form combine in a language that speaks to the soul, giving
pleasure and instruction to the beholder; so the facts and dates
occurring along the pathway of a people, when gathered and arranged by
labor and care, assume a voice and a power which they have not
otherwise. As these facts express the thoughts and feelings, and the
growth, of a people, they become the language in which that people
writes its history, and the work of the historian is to read and
interpret this history for the benefit of his fellow men.

Borrowing a second illustration from the work of the artist, it may be
said, that as nature reveals her secrets only to him whose soul is in
deepest sympathy with her moods and movements, so a people's history
can be discovered only by one whose heart throbs in unison with those
who have made the history. To write the history of any people
successfully one must read it by the heart; and the best part of
history, like the best part of the picture, must ever remain
unexpressed. The artist sees more, and feels more than he is able to
transfer to his canvas, however entrancing his presentation; and the
historian sees and feels more than his brightest pages convey to his
readers. Nothing less than a profound respect and love for humankind