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Memoir, Correspondence, And Miscellanies, From The Papers Of Thomas Jefferson, Volume 1 by Thomas Jefferson
page 60 of 705 (08%)
some mutilations in the preamble, it was finally passed; and a singular
proposition proved, that its protection of opinion was meant to be
universal. Where the preamble declares that coercion is a departure from
the plan of the holy author of our religion, an amendment was proposed,
by inserting the words 'Jesus Christ,' so that it should read, 'a
departure from the plan of Jesus Christ, the holy author of our
religion;' the insertion was rejected by a great majority, in proof that
they meant to comprehend, within the mantle of its protection, the Jew
and the Gentile, the Christian and Mahometan, the Hindoo, and Infidel of
every denomination.

Beccaria, and other writers on crimes and punishments, had satisfied the
reasonable world of the unrightfulness and inefficacy of the punishment
of crimes by death; and hard labor on roads, canals, and other public
works, had been suggested as a proper substitute. The Revisors had
adopted these opinions; but the general idea of our country had not yet
advanced to that point. The bill, therefore, for proportioning crimes
and punishments, was lost in the House of Delegates by a majority of a
single vote. I learned afterwards, that the substitute of hard labor in
public, was tried (I believe it was in Pennsylvania) without success.
Exhibited as a public spectacle, with shaved heads, and mean clothing,
working on the high roads, produced in the criminals such a prostration
of character, such an abandonment of self-respect, as, instead of
reforming, plunged them into the most desperate and hardened depravity
of morals and character. To pursue the subject of this law.--I was
written to in 1785 (being then in Paris) by Directors appointed to
superintend the building of a Capitol in Richmond, to advise them as
to a plan, and to add to it one of a Prison. Thinking it a favorable
opportunity of introducing into the state an example of architecture, in
the classic style of antiquity, and the _Maison Quarrée_ of Nismes,
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