History and Practice of the Art of Photography by Henry Hunt Snelling
page 30 of 134 (22%)
page 30 of 134 (22%)
![]() | ![]() |
|
mixture be then made, in the dark, the precipitation takes place instantly.
Here is again, evidence of either an absorption of some material agent from the sunbeam, or an alteration in the chemical constitution of the body. It was from understanding these principles and applying them that philosophers were enabled to produce the Calotype, Daguerreotype, &c. For the effects and action of light on the camera, see Chapter V. Some advances have been made towards producing Photographic impressions in color--the impossibility of which some of our best and oldest artists have most pertinaciously maintained. The colored image of the spectrum has been most faithfully copied, ray for ray, on paper spread with the juice of the Cochorus Japonica, (a species of plant) and the fluoride of silver; and on silver plate covered with a thin film of chloride. The day may be still remote when this much to be desired decideratum shall be accomplished in portrait taking; but I am led to hope that future experiments may master the secret which now causes it to be looked upon, by many, as an impossibility. That great advantages have resulted, and that greater still will result from the discovery of the Photographic art, few will deny. The faithful manner in which it copies nature, even to the most minute details, renders it of much value to the painter; but a few minutes sufficing to take a view that formerly would have occupied several days. Its superiority in portraits, over miniature or oil painting has been tacitly acknowledged by the thousands who employ it to secure their own, or a friends likeness, and by the steady increase in the number of artists who are weekly, aye daily springing up in every town and village in the land. |
|