History and Practice of the Art of Photography by Henry Hunt Snelling
page 47 of 134 (35%)
page 47 of 134 (35%)
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At this point, termed the focus, the sensitive photographic material
is placed for the purpose of obtaining the required picture. The great disideratum in a photographic camera is perfect lenses. They should be achromatic, and the utmost [hipho_6.gif] transparency should be obtained; and under the closest inspection of the glass not the slightest wavy appearance, or dark spot should be detected; and a curvature which as much as possible prevents spherical aberration should be secured. The effect produced by this last defect is a convergence of perpendiculars, as for instance; two towers of any building, would be represented as leaning towards each other; and in a portrait the features would seem contracted, distorted and mingled together, so as to throw the picture out of drawing and make it look more like a caricature than a likeness. If the lens be not achromatic, a chromatic aberration takes place, which produces an indistinct, hazy appearance around the edges of the picture, arising from the blending of the rays. The diameter and focal length of a lens must depend in a great measure on the distance of the object, and also on the superficies of the plate or paper to be covered. For portraits one of 1 1/2 inches diameter, and from 4 1/2 to 5 1/2 inches focus may be used; but for distant views, one from 2 inches to 3 inches diameter, and from 8 to 12 inches focal length will answer much better. For single lenses, the aperture in front should be placed at a distance from it, corresponding to the diameter, and of a size not more than one third of the same. A variety of movable diaphrams or caps, to cover the aperture in front, are very useful, as the intensity of the light may be modified by them |
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