Carigliano pressed the secret springlock of the door she stopped,
looking at Augustine with an inimitable gleam of shrewdness and grace.
"The Duc de Carigliano adores me," said she. "Well, he dare not enter
by this door without my leave. And he is a man in the habit of
commanding thousands of soldiers. He knows how to face a battery, but
before me,--he is afraid!"

Augustine sighed. They entered a sumptuous gallery, where the
painter's wife was led by the Duchess up to the portrait painted by
Theodore of Mademoiselle Guillaume. On seeing it, Augustine uttered a
cry.

"I knew it was no longer in my house," she said, "but--here!----"

"My dear child, I asked for it merely to see what pitch of idiocy a
man of genius may attain to. Sooner or later I should have returned it
to you, for I never expected the pleasure of seeing the original here
face to face with the copy. While we finish our conversation I will
have it carried down to your carriage. And if, armed with such a
talisman, you are not your husband's mistress for a hundred years, you
are not a woman, and you deserve your fate."

Augustine kissed the Duchess' hand, and the lady clasped her to her
heart, with all the more tenderness because she would forget her by
the morrow. This scene might perhaps have destroyed for ever the
candor and purity of a less virtuous woman than Augustine, for the
astute politics of the higher social spheres were no more consonant to
Augustine than the narrow reasoning of Joseph Lebas, or Madame
Guillaume's vapid morality. Strange are the results of the false
positions into which we may be brought by the slightest mistake in the