(or at least he would if he came up to the proper Macaulay standard),
that Hebrew is written from right to left, and that each book begins at
the wrong cover. The reason is that words, and letters, and
hieroglyphics were originally carved, scratched, or incised, instead of
being written with coloured ink, and the hand was thus allowed to follow
its natural bent, and to proceed, as we all do in naïve drawing, with a
free curve from the right leftward.

Nevertheless, the very same fact--that we use the right hand alone in
writing--made the letters run the opposite way in the end; and the
change was due to the use of ink and other pigments for staining
papyrus, parchment, or paper. If the hand in this case moved from right
to left it would of course smear what it had already written; and to
prevent such untidy smudging of the words, the order of writing was
reversed from left rightward. The use of wax tablets also, no doubt,
helped forward the revolution, for in this case, too, the hand would
cover and rub out the words written.

The strict dependence of writing, indeed, upon the material employed is
nowhere better shown than in the case of the Assyrian cuneiform
inscriptions. The ordinary substitute for cream-laid note in the
Euphrates valley in its palmy days was a clay or terra-cotta tablet, on
which the words to be recorded--usually a deed of sale or something of
the sort--were impressed while it was wet and then baked in, solid. And
the method of impressing them was very simple; the workman merely
pressed the end of his graver or wedge into the moist clay, thus giving
rise to triangular marks which were arranged in the shapes of various
letters. When alabaster, or any other hard material, was substituted for
clay, the sculptor imitated these natural dabs or triangular imprints;
and that was the origin of those mysterious and very learned-looking