when lovers curtain themselves is a love--is it not so?--that seems to
the unwhipped, scoffing world to go slinking into basiation's
obscurity, instead of on a glorious march behind the screen. Our hero
had a strong sentiment as to the policy of scorning the world for the
sake of defending his personal pride and (to his honour, be it said)
his lady's delicacy.

The act of seeming put them both above the world, said retro Sathanas!
So much, as a piece of tactics: he was highly civilized: in the second
instance, he knew it to be the world which must furnish the dry sticks
for the bonfire of a woman's worship. He knew, too, that he was
prescribing poetry to his betrothed, practicable poetry. She had a
liking for poetry, and sometimes quoted the stuff in defiance of his
pursed mouth and pained murmur: "I am no poet;" but his poetry of the
enclosed and fortified bower, without nonsensical rhymes to catch the
ears of women, appeared incomprehensible to her, if not adverse. She
would not burn the world for him; she would not, though a purer poetry
is little imaginable, reduce herself to ashes, or incense, or essence,
in honour of him, and so, by love's transmutation, literally be the man
she was to marry. She preferred to be herself, with the egoism of
women. She said it: she said: "I must be myself to be of any value to
you, Willoughby." He was indefatigable in his lectures on the
aesthetics of love. Frequently, for an indemnification to her (he had
no desire that she should be a loser by ceasing to admire the world),
he dwelt on his own youthful ideas; and his original fancies about the
world were presented to her as a substitute for the theme.

Miss Middleton bore it well, for she was sure that he meant well.
Bearing so well what was distasteful to her, she became less well able
to bear what she had merely noted in observation before; his view of