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Stories of the Wagner Opera by H. A. (Hélène Adeline) Guerber
page 14 of 148 (09%)

While the Romans are wavering, and wondering whether they have
not made a mistake, and whether the Pope really disapproves
of their chief magistrate, Rienzi marches toward the church,
accompanied by Irene and his body guard. Adrian, at the sight
of his pale beloved, has no longer the courage to execute his
purpose and slay her only brother. Just as they are about to
enter the church, where they expect to hear the joyful strains
of thanksgiving, the cardinal appears at the church door,
barring their entrance, and solemnly pronounces the Church's
anathema upon the horror-struck Rienzi.

The people all start back and withdraw from him as from one
accursed, while Adrian, seizing Irene's hand, seeks to lead
her away from her brother. But the brave girl resists her
lover's offers and entreaties, and, clinging closely to the
unhappy Tribune, she declares she will never forsake him,
while he vows he will never relinquish his hope that Rome may
eventually recover her wonted freedom, and again shake off the
tyrant's yoke.

The fifth and last act is begun in the Capitol, where Rienzi,
the enthusiast, is wrapped in prayer, and forgetting himself
entirely, fervently implores Divine protection for his misguided
people and unhappy city. He has scarcely ended this beautiful
prayer when Irene joins him, and, when he once more beseeches
her to leave him, she declares she will never forsake him,
even though by clinging to him she must renounce her love,--a
passion which he has never known. At this declaration, Rienzi in
a passionate outburst tells how deeply he has loved and still
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