The opera opens in the interior of St. Catharine's church in
Nuremberg, where a closing hymn in honour of St. John is being
sung. Eva Pogner and her maid, Magdalena, have been present
at the service, and are still standing in their pew. But,
in spite of her handmaiden's energetic signs and nudges, the
young lady pays but little heed to the closing hymn, and turns
all her attention upon a handsome young knight, Walther von
Stolzenfels, who, as the last note dies away, presses eagerly
forward and enters into conversation with her.

To secure a few moments' private interview Eva sends her maid
back to the pew, first for her forgotten kerchief, next for a
pin which she has lost, and lastly for her prayer-book. During
these temporary absences the deeply enamoured youth implores Eva
to tell him whether she is still free, and whether her heart
and hand are still at her own disposal. Before the agitated
girl can answer, the servant comes up, and, overhearing the
question, declares that her mistress's hand has already been
promised,--a statement which Eva modifies by adding that her
future bridegroom is yet to be chosen. As these contradictory
answers greatly puzzle Walther, she hurriedly explains that
her father, the wealthiest burgher of the town, wishing to
show his veneration for music, has promised his fortune and her
hand to a Master Singer, the preference being given to the one
who will win the prize on the morrow. The only proviso made is
that the girl may remain free if the bridegroom does not win
her approval, and Eva timidly confesses that she will either
marry Walther or remain single all her life. Magdalena, who
has been carrying on a lively flirtation of her own with David,