Stories of the Wagner Opera by H. A. (Hélène Adeline) Guerber
page 7 of 148 (04%)
page 7 of 148 (04%)
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her own home. The street is silent and deserted, the armed band
steal noiselessly along, place their scaling ladder under the fair one's casement, and the head of the Orsini, climbing up, seizes her and tries to carry her off in spite of her frantic cries and entreaties. The noise attracts the attention of Adrian, heir of the Colonna family, and when he perceives that the would-be kidnappers wear the arms and livery of the Orsini, his hereditary foes, he seizes with joyful alacrity the opportunity to fight, and pounces upon them with all his escort. A confused street skirmish ensues, in the course of which Adrian rescues the beautiful maiden, whom he recognises as Irene, Rienzi's only sister. Attracted by the brawl, the people crowd around the combatants, cheering and deriding them with discordant cries, and becoming so excited that they refuse to disperse when the Pope's Legate appears and timidly implores them to keep the peace. The tumult has reached a climax when Rienzi suddenly comes upon the scene, and authoritatively reminds his adherents that they have sworn to respect the law and the Church, and bids them withdraw. His words, received with enthusiastic cries of approbation by the people, are, however, scorned by the barons, who would fain continue the strife, but are forced to desist. Anxious to renew hostilities as soon as possible, and to decide the question of supremacy by the force of arms, the irate noblemen then and there appoint a time and place for a general encounter outside the city gates on the morrow, when they reluctantly disperse. |
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