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Stories of the Wagner Opera by H. A. (Hélène Adeline) Guerber
page 71 of 148 (47%)
to make sure of her by singing a serenade under her window that
very night. But when he sees the handsome young candidate step
forward and receive the support of Pogner, (who has already made
his acquaintance, and who evidently is inclined to favour him,)
the widower looks very glum indeed, and vindictively resolves
to prevent his entrance into the guild by fair means or by foul.

Hans Sachs, the poet shoemaker of Nuremberg, and all the other
members of the guild, having now appeared, Beckmesser calls
the roll, and Pogner repeats his offer to give his fortune
and daughter to the winner of the prize on the morrow, and
charges the guild to select their candidates for the contest. Of
course the very first thing to be done is to examine the new
candidate. Walther, when questioned concerning his teachers
and method, boldly declares he has learned his art from nature
alone, chooses love as his theme for a trial song, and bursts
forth into an impassioned and beautiful strain. But as his
words and music are strictly original, and therefore cannot
be judged by the usual canons, Beckmesser savagely marks down
mistake after mistake, and brusquely interrupts the song to
declare the singer is 'outsung and outdone.' In proof of this
assertion he exhibits his slate, which is covered with bad
marks. Hans Sachs, the only member present who has understood
the beauty of this original lay, vainly tries to interfere in
Walther's behalf, but his efforts only call forth a rude attack
on Beckmesser's part, who advises him to reserve his opinions,
stick to his last, and finish the pair of shoes which he has
promised him for the morrow. Walther is finally allowed to
finish his song, but the prejudiced and intolerant citizens of
Nuremberg utterly refuse to receive him in their guild, and he
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