concealed weapon other than his wit. Toward the criminals he pursued
young Ford felt no personal animosity. He harassed them as he would have
shot a hawk killing chickens. Not because he disliked the hawk, but
because the battle was unequal, and because he felt sorry for the
chickens.

Had you called Austin Ford an amateur detective he would have been
greatly annoyed. He argued that his position was similar to that of the
dramatic critic. The dramatic critic warned the public against bad
plays; Ford warned it against bad men. Having done that, he left it to
the public to determine whether the bad man should thrive or perish.

When the managing editor told him of his appointment to London, Ford had
protested that his work lay in New York; that of London and the English,
except as a tourist and sight-seer, he knew nothing.

"That's just why we are sending you," explained the managing editor.
"Our readers are ignorant. To make them read about London you've got to
tell them about themselves in London. They like to know who's been
presented at court, about the American girls who have married dukes; and
which ones opened a bazaar, and which one opened a hat shop, and which
is getting a divorce. Don't send us anything concerning suffragettes and
Dreadnaughts. Just send us stuff about Americans. If you take your meals
in the Carlton grill-room and drink at the Cecil you can pick up more
good stories than we can print. You will find lots of your friends over
there. Some of those girls who married dukes," he suggested, "know you,
don't they?"

"Not since they married dukes," said Ford.