Critical Miscellanies (Vol 2 of 3) - Essay 1: Vauvenargues by John Morley
page 10 of 37 (27%)
page 10 of 37 (27%)
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that before were unemployed: it is in indolence and littleness that
virtue suffers, when a timid prudence prevents it from rising in flight and forces it to creep along in bonds.'[12] He was true to the counsel which he had thus given years before, and with the consciousness that death was rapidly approaching, and that all hope of advancement in the ordinary way was at an end, even if there were any chance of his life, he persevered in his project of going to Paris, there to earn the fame which he instinctively felt that he had it in him to achieve. Neither scantiness of means nor the vehement protests of friends and relations--always the worst foes to superior character on critical occasions--could detain him in the obscurity of Provence. In 1745 he took up his quarters in Paris in a humble house near the School of Medicine. Literature had not yet acquired that importance in France which it was so soon to obtain. The Encyclopædia was still unconceived, and the momentous work which that famous design was to accomplish, of organising the philosophers and men of letters into an army with banners, was still unexecuted. Voltaire, indeed, had risen, if not to the full height of his reputation, yet high enough both to command the admiration of people of quality, and to be the recognised chief of the new school of literature and thought. Voltaire had been struck by a letter in which Vauvenargues, then unknown to him, had sent a criticism comparing Corneille disadvantageously with Racine. Coming from a young officer, the member of a profession which Voltaire frankly described as 'very noble, in truth, but slightly barbarous,' this criticism was peculiarly striking. A great many years afterwards Voltaire was surprised in the same way, to find that an officer could write such a book as the _Félicité Publique_ of the Marquis de Chastellux. To Vauvenargues he replied with many compliments, and pointed out with a good deal of pains the injustice which the young critic had done to the great author of _Cinna_. '_It is the part of a man like you,_' he said |
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