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Flowers from a Persian Garden and Other Papers by W. A. Clouston
page 9 of 355 (02%)

It is remarkable how very little the average general reader knows
regarding the great Persian poet Saádí and his writings. His name is
perhaps more or less familiar to casual readers from its being appended
to one or two of his aphorisms which are sometimes reproduced in odd
corners of popular periodicals; but who he was, when he lived, and what
he wrote, are questions which would probably puzzle not a few, even of
those who consider themselves as "well read," to answer without first
recurring to some encyclopædia. Yet Saádí was assuredly one of the most
gifted men of genius the world has ever known: a man of large and
comprehensive intellect; an original and profound thinker; an acute
observer of men and manners; and his works remain the imperishable
monument of his genius, learning, and industry.

Maslahu 'd-Dín Shaykh Saádí was born, towards the close of the twelfth
century, at Shíráz, the famous capital of Fars, concerning which city
the Persians have the saying that "if Muhammed had tasted the pleasures
of Shíráz, he would have begged Allah to make him immortal there." In
accordance with the usual practice in Persia, he assumed as his
_takhallus_, or poetical name,[1] Saádí, from his patron Atabag Saád bin
Zingí, sovereign of Fars, who encouraged men of learning in his
principality. Saádí is said to have lived upwards of a hundred years,
thirty of which were passed in the acquisition of knowledge, thirty more
in travelling through different countries, and the rest of his life he
spent in retirement and acts of devotion. He died, in his native city,
about the year 1291.

[1] One reason, doubtless, for Persian and Turkish poets
adopting a _takhallus_ is the custom of the poet
introducing his name into every ghazal he composes,
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