Flowers from a Persian Garden and Other Papers by W. A. Clouston
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page 9 of 355 (02%)
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It is remarkable how very little the average general reader knows regarding the great Persian poet Saádí and his writings. His name is perhaps more or less familiar to casual readers from its being appended to one or two of his aphorisms which are sometimes reproduced in odd corners of popular periodicals; but who he was, when he lived, and what he wrote, are questions which would probably puzzle not a few, even of those who consider themselves as "well read," to answer without first recurring to some encyclopædia. Yet Saádí was assuredly one of the most gifted men of genius the world has ever known: a man of large and comprehensive intellect; an original and profound thinker; an acute observer of men and manners; and his works remain the imperishable monument of his genius, learning, and industry. Maslahu 'd-Dín Shaykh Saádí was born, towards the close of the twelfth century, at Shíráz, the famous capital of Fars, concerning which city the Persians have the saying that "if Muhammed had tasted the pleasures of Shíráz, he would have begged Allah to make him immortal there." In accordance with the usual practice in Persia, he assumed as his _takhallus_, or poetical name,[1] Saádí, from his patron Atabag Saád bin Zingí, sovereign of Fars, who encouraged men of learning in his principality. Saádí is said to have lived upwards of a hundred years, thirty of which were passed in the acquisition of knowledge, thirty more in travelling through different countries, and the rest of his life he spent in retirement and acts of devotion. He died, in his native city, about the year 1291. [1] One reason, doubtless, for Persian and Turkish poets adopting a _takhallus_ is the custom of the poet introducing his name into every ghazal he composes, |
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